All are relatively large, with cup diameters over 20mm. Renaissance/Baroque mouthpieces for trumpetįive of the eight surviving sixteenth-century trumpet mouthpieces of which I am aware also share the cup-and-tube construction previously described, the exceptions being one original belonging to one of the Basler Standestrompeten by Jakob Steiger, 1578, which is built up entirely of sheet brass, and two relatively crude mouthpieces - probably replacements - found in a shipwreck off Texel along with the 1593 trumpet by Lissandro Milanese, one in lead and the other in tin. Upon request I can offer mildly rounded rims, as rim profile has in my experience much less effect on the acoustic function of an instrument than other aspects of mouthpiece design. Therefore, all mouthpieces I offer are either replicas of originals (Billingsgate, Guitbert) or uncompromised two-part cup-and-tube construction according to original models. I am convinced that this construction is the authentic choice for Renaissance and early Baroque trumpet repertoire, and for trombones at least through the end of the seventeenth century. The bass trombone mouthpiece pictured here (belonging to the Schnitzer bass trombone in Kassel) shows all these features.Įach has a significant effect on the resulting sound and response character of the instrument, often further differentiating it from its modern counterpart.
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